Hint | Answer |
Scientific term for instruments whose bodies vibrate to create sound | |
Antiestablishment Trinidadian musical practice | |
Massive battle of Calypso bands | |
Cuban dance that developed during 19th Century. Typical ensemble includes vocalist, chorus, clave, palitos, and congas. | |
Narrative text section of Rumba | |
Call and response section of Rumba | |
Most popular kind of Cuban Rumba | |
Rhythmic cell common throughout the Caribbean, containing 5 seperate articulations and organized into long-short-long-short-long pattern. | |
Puerto Rican traditional music originating in slave barracks | |
Bahamian festival celebrated on Boxing Day | |
Music style popular in French Antilles | |
One of the first Caribbean genres to attract attention from music companies | |
Name of people of West African and Amerindian descent in the Caribbean coast of Belize, Guatemala, Honduras, y Nicaragua. | |
Popular music styles defeloped by Garifuna, featuring call and response vocals and percussion | |
Religious ceremonies where family appealed to ancestors to solve problem | |
Folk song genre for voice and guitar | |
Trinidadian music style that combines soca and chutney | |
Almost extinct light classical tradition encompassing many genres | |
Subset of Tan singing; tangible connection to South Asian music | |
Dance music of the Dominican Republic | |
Hindu devotional song | |
Form of folk music associated with phagwa (holi) in Trinidad | |
Call and response section of a merengue | |
Style of merengue which included swing bands; evolved into popular dance music | |
Music which grew out of experiments by Latino and Caribbean influences in NYC | |
Genre heavily influenced by Reggae and Jamaican music | |
Combo of Calypso and gospel dancehall music | |
Music that accompanies the Hassa festival in Trinidad | |
Shia Muslim festival commemorating martyrdom of Husayn Ibn Ali | |
Hindu festival adapted for Trinidad | |
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