| Definition | Answer |
|---|
| Any chord which contains an augmented interval that is a chord where the interval of the notes is extended by a semi-tone | |
| Abbreviation of equalisation, electronically cutting or boosting specific frequencies in a sound | |
| Notes used that are foreign to the key of the music | |
| Music in which notes are used that are not in the key of the piece | |
| The chord sequence in a jazz song | |
| A note repeated or sustained across chord changes | |
| literally an ornament - 'a crushed note' played as quickly as possible before the main note | |
| An abbreviation for accompanying | |
| A solo voice piece with instrumental accompaniment in an Opera | |
| Fifth note of the scale or key, the strongest note after the tonic | |
| A 'bent' note between the minor and major third | |
| Moving by semi-tones up or down | |
| The solo instruments in a jazz ensemble | |
| Double headed drum (in several different sizes) played with sticks | |
| A chord with the third in the bass | |
| The last section of a vocal raga; a fixed composition in the form of a song | |
| The opening unmetred and improvised section of a raga | |
| An interval larger than an octave; for example a ninth | |
| Absence of tonality / key | |
| The final section of an instrumental raga, a fixed composition | |
| Replacing one chord with another | |
| Hour glass shaped talking drum held under the arm and played with the hand | |
| A sustained or repeated note (S) on the dominant note of the key | |
| Two chords at the end of a musical phrase. The 4 types are: Perfect, Imperfect, Interrupted, Plagal. | |
| A strong reinforcement of a 4/4 beat by a bass drum | |
| A chord in which one of the notes has been sharpened or flattened to become a chromatic note | |
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