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Bars in 4th movement of Schumann with fugal entries in A minor, G major and E flat major respectively
Use of upper part of piano's tessitura in Dvorak
Bars of repeated offbeat quavers in Mendelssohn (increase drama)
Brief modulations to C sharp major in Dvorak
New theme in Debussy offset by a crotchet
Bar where we see main theme of Debussy in mixolydian on Db
Added 9th in dominant chord in transition in which 3 bars in Schumann?
Start of development in Debussy, punctuated by 4 bars of homorhythm
Moment of antiphony between strings and piano in Schumann (development)
2 bars where cello descends by a tone in Schumann
Fugal passage in Brahms
Rhythmically driven 'B' section in Brahms
Ascending sequence with associated semitone modulation in Dvorak
Homorhythmic march in Brahms
Number of bars of cello cadenza in Dvorak
Debussy: new theme in cello, violin I, accompanied by semiquavers
Lyrical C sharp major theme in Dvorak
High G held over 5 bars in Mendelssohn
Figure in Debussy where second subject returns in octaves

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