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Added 9th in dominant chord in transition in which 3 bars in Schumann?
Number of bars of cello cadenza in Dvorak
Bars in 4th movement of Schumann with fugal entries in A minor, G major and E flat major respectively
Lyrical C sharp major theme in Dvorak
Brief modulations to C sharp major in Dvorak
2 bars where cello descends by a tone in Schumann
Debussy: new theme in cello, violin I, accompanied by semiquavers
Moment of antiphony between strings and piano in Schumann (development)
Ascending sequence with associated semitone modulation in Dvorak
Start of development in Debussy, punctuated by 4 bars of homorhythm
Figure in Debussy where second subject returns in octaves
Homorhythmic march in Brahms
High G held over 5 bars in Mendelssohn
New theme in Debussy offset by a crotchet
Rhythmically driven 'B' section in Brahms
Fugal passage in Brahms
Bar where we see main theme of Debussy in mixolydian on Db
Use of upper part of piano's tessitura in Dvorak
Bars of repeated offbeat quavers in Mendelssohn (increase drama)

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