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QuestionAnswer
Lyrical C sharp major theme in Dvorak
Homorhythmic march in Brahms
Bars in 4th movement of Schumann with fugal entries in A minor, G major and E flat major respectively
High G held over 5 bars in Mendelssohn
Use of upper part of piano's tessitura in Dvorak
Start of development in Debussy, punctuated by 4 bars of homorhythm
2 bars where cello descends by a tone in Schumann
Debussy: new theme in cello, violin I, accompanied by semiquavers
Ascending sequence with associated semitone modulation in Dvorak
Figure in Debussy where second subject returns in octaves
QuestionAnswer
Moment of antiphony between strings and piano in Schumann (development)
Rhythmically driven 'B' section in Brahms
Fugal passage in Brahms
Added 9th in dominant chord in transition in which 3 bars in Schumann?
Bar where we see main theme of Debussy in mixolydian on Db
Number of bars of cello cadenza in Dvorak
Bars of repeated offbeat quavers in Mendelssohn (increase drama)
Brief modulations to C sharp major in Dvorak
New theme in Debussy offset by a crotchet

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Created Jun 14, 2012ReportFavoriteNominate
Tags:chamber, revision

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