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Bars of repeated offbeat quavers in Mendelssohn (increase drama)
2 bars where cello descends by a tone in Schumann
Homorhythmic march in Brahms
Number of bars of cello cadenza in Dvorak
New theme in Debussy offset by a crotchet
Lyrical C sharp major theme in Dvorak
Bar where we see main theme of Debussy in mixolydian on Db
Moment of antiphony between strings and piano in Schumann (development)
High G held over 5 bars in Mendelssohn
Rhythmically driven 'B' section in Brahms
Bars in 4th movement of Schumann with fugal entries in A minor, G major and E flat major respectively
Brief modulations to C sharp major in Dvorak
Debussy: new theme in cello, violin I, accompanied by semiquavers
Figure in Debussy where second subject returns in octaves
Start of development in Debussy, punctuated by 4 bars of homorhythm
Added 9th in dominant chord in transition in which 3 bars in Schumann?
Ascending sequence with associated semitone modulation in Dvorak
Use of upper part of piano's tessitura in Dvorak
Fugal passage in Brahms

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Created Jun 14, 2012ReportNominate
Tags:chamber, revision

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