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Score 0/19 Timer 10:00
QuestionAnswer
Bar where we see main theme of Debussy in mixolydian on Db
High G held over 5 bars in Mendelssohn
Fugal passage in Brahms
Moment of antiphony between strings and piano in Schumann (development)
New theme in Debussy offset by a crotchet
Ascending sequence with associated semitone modulation in Dvorak
Lyrical C sharp major theme in Dvorak
2 bars where cello descends by a tone in Schumann
Start of development in Debussy, punctuated by 4 bars of homorhythm
Homorhythmic march in Brahms
QuestionAnswer
Debussy: new theme in cello, violin I, accompanied by semiquavers
Added 9th in dominant chord in transition in which 3 bars in Schumann?
Figure in Debussy where second subject returns in octaves
Rhythmically driven 'B' section in Brahms
Use of upper part of piano's tessitura in Dvorak
Number of bars of cello cadenza in Dvorak
Brief modulations to C sharp major in Dvorak
Bars in 4th movement of Schumann with fugal entries in A minor, G major and E flat major respectively
Bars of repeated offbeat quavers in Mendelssohn (increase drama)

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