| Parisian chanson, melody competes between cantus and tenor, lute and piano arrangements also |
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| French dance pair the performers would ornament |
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| Much like the ricercar, this particular piece was in minor and had a major third at the end |
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| Instrumental, imitative, a French genre has a similar name |
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| First ever arrangement was a tenorlied. Strophic, about his hometown |
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| Chant incorporated as cantus firmus, alternation btw instrument and choir. 1510 |
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| Easy to sing, AAB, militant tone, another composer made it into a tenorlied |
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| Uses points of imitation, dissonance, prima practica |
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| Six part motet, changing voice combinations, alterations btw homophonic and polyphonic |
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| Parody mass on his earlier motet |
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| Anthem representative of type of music performed in England cathedrals |
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| Variations based on folk song, virginal |
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| English madrigal, ABCDCBA form based on contrast of texture |
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| Lute ayre, descending tetrachord, AABBCC, through composed |
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| Much dissonace, exaggerates text interpretation, madrigal |
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| Weird like another piece, but Artusi spoke out against this one |
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| One of first compositions indicating embellishment in score, an educational piece |
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| Opera, example of new Stile Representativo, monody |
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| First truly successful opera, chromatic shapes indicate sadness |
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| Considered greatest 17th C opera, contains Dur ti miro duet |
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| Concerted motet, simple harmonies, engaging rhythms, short melodies draw attention to text. Singers in different parts of church |
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| Concerted motet, textual recall expands this into full motet |
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| Chant used as cantus firmus, alternate choir with instrument. 1635 |
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| Story taken from book of judges, has Nbii6, oratorio |
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| Trio sonata, variation form, 2 violins, basso continuo |
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| Has binary form and beginnings of functional tonality |
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| Used a technique called scordatura, programmatic sonata |
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'The' Bands
VH1's 100 Songs ('90s)
Figure Out the Disney Lyrics II
