| Description | Term |
| slow, fast, slow, fast | |
| symbols below bass line | |
| f,c,g,d,a,e,b | |
| a 4th or 5th | |
| ends on vi chord | |
| a, b, a | |
| 1, 2, 3, 4, 5, 6, 7 | |
| same name different key | |
| b,e,a,d,g,c,f | |
| five lines | |
| in the style of bach | |
| speed of chord progression | |
| 4/4 for example | |
| harmonization style | |
| minor third for example | |
| phrygian or mixolydian | |
| 2 phrases with half cadence between | |
| to read in a different key than written | |
| | Description | Term |
| approached by leap, left by step | |
| same note in bass | |
| soloist with orchestra | |
| other name for I chord | |
| devil's interval | |
| learning to hear | |
| fastest tempo marking | |
| IV, I | |
| last note of one phrase is the first of the next | |
| 6th scale degree | |
| 5th scale degree | |
| f, p, mp, mf, cresc, dec for example | |
| same key different name | |
| I, IV, V for example | |
| treble, alto, tenor, bass | |
| causes bach to kill a kitten | |
| do, re, mi, fa, sol, la, ti, do | |
| violin, flute, oboe for example | |
|