Razzie Winners by Critical Drubbing

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Can you name the Razzie Worst Picture winners by critical drubbing?

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Critical DrubbingMovie
It is unremittingly depressing, not to any purpose of drama or entertainment, but just to depress. It left me feeling creepy. (Roger ****)
Approximates the feeling of someone sleazy putting the make on you. Its brand of sexual harassment makes you feel dirty and not at all flattered. (Sacramento Bee)
The only good thing…is that we didn't have to see Parts 1 through 5. (Washington Post)
Doesn't push the limits of taste so much as the limits of how bad a movie can be. (Houston Chronicle)
A simplistic melodrama of mushy patriotism, stilted romance and hollow morality. (San Francisco Chronicle)
As for the guy(s) in the duck suit . . . well, he/they deserve our condolences and prayers. (Chicago Reader)
The stars display zip chemistry, but seem to find themselves adorable. They're so taken with each other they don't need an audience. (Rolling Stone)
Even the ice pick looks like it really doesn't want to be there. (Toronto Star)
One wonders why any actress, even a retired MTV game show hostess, would stoop to such a disgraceful gig. (Newark Star-Ledger)
Isn't so much a narrative film as a cacophonous series of explosions intermittently interrupted by needless dialogue. (Detroit News)
Like a Care Bears movie that got waylaid in the fourth dimension. (Christian Science Monitor)
Many awful movies are at least funny in a campy sort of way. Bo and John Derek, however, make films so sincerely bad that they offer nothing in the way of relief. (TV Guide)
Is it an exploitation thriller? A farce? A vanity project — Moore's love letter to her own sculpted bod? All three, I'm afraid. (Entertainment Weekly)
A few good tunes, but how self-adoring can a star be? (Kalamazoo Gazette)
Critical DrubbingMovie
A shambles, a space plodessy, a snoozola of astronomic proportions (Washington Post)
Over the long haul, it becomes as oppressively one-note as Clay himself. (Entertainment Weekly)
Get out the kitty litter. (Toronto Star)
If you harbor an interest in watching so-called 'industry smarts' autodestruct, this carries a certain morbid appeal, but that's about the extent of it. (Chicago Reader)
Downright antifunny, an experience that makes you wonder if you will ever laugh again. (New York Times)
All in all, it's a pretty offensive movie, especially to the Americans who fought in Vietnam. (TV Guide)
Pretty much the Showgirls of sci-fi shoot-'em-ups. (Variety)
Figures out how to go thud more often, and in more decadently extravagant ways, than just about any would-be blockbuster since ''Hudson Hawk.'' (Entertainment Weekly)
Easily marks the worst movie Lohan has appeared in and the worst performance she has given. (ReelViews)
Stupid vanity film for Cruise at his worst. (Mountain Xpress)
It's hard to imagine another director ever making his wife look so bad in a major movie. (Arizona Republic)
Director Lyne, whose 'Fatal Attraction' looks celestial by comparison, indulges in such fraudulent morality you assume he's kidding. He isn't. (Washington Post)
To say this megamillion Bruce Willis vehicle doesn't fly is understatement in the extreme. (Washington Post)

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