Razzie Winners by Critical Drubbing

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Can you name the Razzie Worst Picture winners by critical drubbing?

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Critical DrubbingMovie
It is unremittingly depressing, not to any purpose of drama or entertainment, but just to depress. It left me feeling creepy. (Roger ****)
One wonders why any actress, even a retired MTV game show hostess, would stoop to such a disgraceful gig. (Newark Star-Ledger)
It's hard to imagine another director ever making his wife look so bad in a major movie. (Arizona Republic)
A simplistic melodrama of mushy patriotism, stilted romance and hollow morality. (San Francisco Chronicle)
The stars display zip chemistry, but seem to find themselves adorable. They're so taken with each other they don't need an audience. (Rolling Stone)
All in all, it's a pretty offensive movie, especially to the Americans who fought in Vietnam. (TV Guide)
Downright antifunny, an experience that makes you wonder if you will ever laugh again. (New York Times)
The only good thing…is that we didn't have to see Parts 1 through 5. (Washington Post)
Pretty much the Showgirls of sci-fi shoot-'em-ups. (Variety)
Approximates the feeling of someone sleazy putting the make on you. Its brand of sexual harassment makes you feel dirty and not at all flattered. (Sacramento Bee)
Director Lyne, whose 'Fatal Attraction' looks celestial by comparison, indulges in such fraudulent morality you assume he's kidding. He isn't. (Washington Post)
A few good tunes, but how self-adoring can a star be? (Kalamazoo Gazette)
Stupid vanity film for Cruise at his worst. (Mountain Xpress)
Is it an exploitation thriller? A farce? A vanity project — Moore's love letter to her own sculpted bod? All three, I'm afraid. (Entertainment Weekly)
Critical DrubbingMovie
To say this megamillion Bruce Willis vehicle doesn't fly is understatement in the extreme. (Washington Post)
Figures out how to go thud more often, and in more decadently extravagant ways, than just about any would-be blockbuster since ''Hudson Hawk.'' (Entertainment Weekly)
Doesn't push the limits of taste so much as the limits of how bad a movie can be. (Houston Chronicle)
Like a Care Bears movie that got waylaid in the fourth dimension. (Christian Science Monitor)
A shambles, a space plodessy, a snoozola of astronomic proportions (Washington Post)
Many awful movies are at least funny in a campy sort of way. Bo and John Derek, however, make films so sincerely bad that they offer nothing in the way of relief. (TV Guide)
As for the guy(s) in the duck suit . . . well, he/they deserve our condolences and prayers. (Chicago Reader)
Over the long haul, it becomes as oppressively one-note as Clay himself. (Entertainment Weekly)
Isn't so much a narrative film as a cacophonous series of explosions intermittently interrupted by needless dialogue. (Detroit News)
If you harbor an interest in watching so-called 'industry smarts' autodestruct, this carries a certain morbid appeal, but that's about the extent of it. (Chicago Reader)
Even the ice pick looks like it really doesn't want to be there. (Toronto Star)
Easily marks the worst movie Lohan has appeared in and the worst performance she has given. (ReelViews)
Get out the kitty litter. (Toronto Star)

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