| Definition | Term |
|---|
| Editing technique in film that combines separate images into a sequence that conveys the passage of time or a new meaning/emotion | |
| The quality of a photographic image to convey the reality of a thing pictured and to guarantee that it had existed at one time | |
| Copying without permission allowed in limited cases, such as for scholarship or review, Rogers vs Koons | |
| The quality of being genuine or unque, the special something cannot be reproduced | |
| The discredited belief that technological progress is inevitable, that the sole determining factor in social change, that it exists autonomously and uninfluenced by social context | |
| The act of making a copy or duplicating | |
| When a mark or term becomes so widespread that it becomes synonymous with a generic type | |
| The special sacred quality that seems to emanate from unique works of art | |
| The bundle of rights pertaining to an image that includes being able to control and regulate its distribution copying display and performance | |
| Branch of philosophy that emphasizes the lived bodily component of experience and knowledge | |
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