| Work | Author |
|---|
| Performative Utterances | |
| The Birth of Tragedy | |
| Visual Pleasure and Narrative Cinema | |
| The Book of the City of Ladies | |
| Phenomenology | |
| The Function of Criticism at the Present Time | |
| The Wretched of the Earth | |
| Phaedrus | |
| The Critic as Artist | |
| A Dense of Poesy | |
| Capital | |
| Criteria of Negro Art | |
| The Uncanny | |
| Spectres of Marx | |
| Melville's Fist | |
| Tradition and the Individual Talent | |
| Enformcing Normalcy (Visualizing the Disabled Body) | |
| Lectures on Fine Art | |
| The Intentional Fallacy | |
| A Room of One's Own | |
| Enconium | |
| Philosophy of Composition | |
| Studies in the History of the Renaissance | |
| | Work | Author |
|---|
| Orientalism | |
| The Anxiety of Influence | |
| The Work of Art in the Age of its Technological Reproducibility | |
| The Painter of Modern Life | |
| Gender Trouble | |
| Epistemology of the Closet | |
| The Poet | |
| The Well Wrought Urn | |
| The Death of the Author | |
| Lyrical Ballads | |
| Course in General Linguistics | |
| Laocoon | |
| Semiology and Rhetoric | |
| Crisis in Poetry | |
| What is an Author? | |
| The Interpretation of Dreams | |
| Ars Poetica | |
| The Mirror Stage as Formative | |
| Analytic of the Sublime | |
| On the Fetish | |
| The Art of Fiction | |
| On Sublimity | |
|
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