| Good Critic | Movie | Bad Critic |
| Carrey's attempted self-immolation in a men's room, which weirdly recalls certain Fred Astaire routines, may be a small classic. [Chicago Reader] | |
| (Movie) is a sound-and-light show that jumps from the screen and spreads itself out to every corner of the house. [San Francisco Chronicle] | |
| (Movie) starts out wobbly but ends up quite nicely, primarily because Carrey has a wonderful acting partner in Zooey Deschanel. [Chicago Tribune] | |
| A thoughtful, audacious meditation on love and relationships that finds a group of wildly disparate talents clicking together in perfect unison. [Miami Herald] | |
| When Carrey is doing his thing, histrionically whipping up one miracle after another and relishing the power, he has you spring-cleaning your lungs with laughter. [NY Daily News] | |
| The result is a movie character who seems half real, half animated. [Chicago Sun-Times] | |
| Less a biography than an essay on theatrical illusion and the changing nature of comedy. Love it or hate it, you've never seen anything quite like it. [Christian Science Monitor] | |
| | Good Critic | Movie | Bad Critic |
| Treat this project as you would a safari: It has its slow parts but the wildlife makes it worthwhile. [Washington Post] | |
| Makes good use of Carrey's glib but distant quality, that friendly but unknowable essence that hints at something tortured and out of control behind the smile. [SF Chronicle] | |
| Carrey is excellent, making the most of his comic gifts even in a cumbersome outfit, and the eye-spinning color scheme is dazzling to behold. [Christian Science Monitor] | |
| It's good and raunchy and somehow even healthful. It says it's normal to have warring impulses—that our internal divisions make us human. [Slate] | |
| Anyone can get a kick out of watching penguins slide down the interior of the Guggenheim Museum, or seeing how one of these birds manages to buck nature. [St. Petersburg Times] | |
| A movie that fully lives up to its name, right down to an opening credit sequence rife with intentional misspellings and grammatical errors. [New York Times] | |
| Think 'Catch Me If You Can' mashed up with 'Brokeback Mountain' if Mel Brooks directed and you'll get the idea. [St. Petersburg Times] | |
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