| The thing that makes a quiz like this difficult is that there are so many variants for each name, and you really need to find a way to accept all of them. I tried "diminished seventh" for #13, "dominant seven flat nine" and "dominant seventh flat nine" for #19, "Sacre" for #27, and "acoustic" for #32, none of which were accepted but all of which are both common and accurate. If you're going to accept Forte labels for some, you really should accept them for all (although that defeats the purpose of recognizing the connections to specific works; you might consider not accepting them at all).
Some corrections:
#5 is simply a six-four chord; there would need to be more music to clarify that it's a cadential six-four (rather than a neighboring six-four or a passing six-four or an embellishing six-four or...)
The fourths in #17 are perfect and augmented, so P4-A4, not P4-D4. The label "atonal triad" is far too generic and not, to my knowledge, specific to this sound at all.
#24 is the all-trichord (not all-interval) hexachord. (You're confusing it with the all-interval tetrachord, I suspect.)
If you want anyone to have a fighting chance at identifying the Schoenberg hexachord, you should present #25 at the transposition level that actually contains the SCHBEG monogram (E-flat, C, B, B-flat, E, G).
#31 does appear in Neptune, but there's no compelling reason for the B to be unison-doubled in the example—it made me think it might be a mistake and that perhaps you intended a hexatonic collection. |
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