| Characteristics/Statements/Questions | Answer |
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| An 1890's style in architecture, interior design, and graphic arts characterized by curving lines. | |
| The artists Andy Warhol, Roy Lichtenstein, Jasper Johns, and Jim Dine make up this movement. | |
| A mid 16th century movement that broke away from the balance of form and human proportions found in High Renaissance. | |
| Henri Matisse was a leader of this movement, because of his use of violent colors, broken brushstrokes, and distorted images. | |
| Used geometrical forms that create optical illusions. | |
| Unified architecture, painting, and sculpture to overwhelm the viewer with ornate and dramatized themes. | |
| This movement stresses the weird, the fantastic, and the dreamworld of the subconscious. | |
| The artists of this movement wanted to depict scenes of everyday life. | |
| | Characteristics/Statements/Questions | Answer |
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| You can thank the artists Kokoschka, Munch, Schiele, and van Gogh for this movement. | |
| It began in the United Kingdom then made its way to America were it focused on american consumerism and mass production. | |
| The american movement that emphasized form and color within a nonrepresentational framework. | |
| A 1920's style characterized by zigzag forms, architecture, setbacks, and the use of chrome and plastic ornamentation. | |
| The work of artists of African descent produced in various styles characterized by a mood of protest and a search for identity and historical roots. | |
| Consists of French style interior design with characteristics of ornate curves, prettiness, gold and silver objects, procelain, and gaiety paintings/sculpture. | |
| It sought to make Impressionism more precise by juxataposing dots of primary colors to make secondary colors. | |
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