| Blurb One | Film | Blurb Two |
‘Crowd-pleasing, energetic action comedy.’ (The Movie Report) | |
‘It has uncommon depth and honesty. And the thing it's honest about is the embarrassment and humiliation of being poor.’ (LA Weekly) | |
‘[Smith's] graceful presence helps turn what often feels like 18 holes of Touched By an Angel into an ultimately engaging sweet conceit.’ (Milwaukee Journal Sentin | |
‘An unapologetic, unreconstructed actioner that's as entertaining as it is politically retrograde.’ (BBC) | |
‘Tauter, sharper, and more blithely hilarious than the original.’ (Boston Phoenix) | |
‘The film, while slow moving, is worth the wait for the emotional payoff.’ (Atlantic City Weekly) | |
‘A smart romantic comedy and a fabulous showcase for its leads and New York City setting.’ (Boston Herald) | |
‘[Its] spirited action is balanced by an almost contemplative attitude toward surveillance phobias and the movie cliches they've spawned.’ (Chicago Reader) | |
| | Blurb One | Film | Blurb Two |
‘Terrific effects and loads of action. But the filmmakers have also carefully crafted appealing characters and several good relationships.’ (Houston Chronicle) | |
‘[This film] is actually about the last man on earth played by one of the last real movie stars on earth.’ (Boston Globe) | |
‘A triumphant labor of love for its star, Will Smith. Credit director Mann, above all, for recognizing the performance for what it is: A knockout.’ (Detroit News)< | |
‘An engaging and thoroughly innovative spin on the superhero genre.’ (Reel Film Reviews) | |
‘A sparkling addition to the modern animation canon.’ (Detroit News) | |
‘The ace in the hole in [the film] is Shakespearean Kenneth Branagh as the villain, Loveless.’ (San Francisco Chronicle) | |
‘Surprisingly smart, cool-looking, nicely paced and well-acted.’ (New York Post) | |
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