''Logic is mocked, plot strands capriciously abandoned. Actors chew upholstery, and the heroine has so many 'Don't open that door, lady!' moments that the movie starts to play like an unintended parody of overblown hokum.'' (San Francisco Chronicle)
''If you've ever wanted to see Keanu Reeves go to hell, this is your chance.'' (Boulder Weekly)
''Entirely beyond redemption.'' (Time Out)
''It's really kind of a dirty scummy piece of work.'' (Richard Roeper)
''A police thriller that's desperate to be gritty...boasts a protagonist so dumb it takes him an hour of screen time to realize a 'plot twist' we assumed was a given.'' (Time Out Chicago)
''Arguably the worst reconstitution of a '50s sci-fi classic since the ghastly Godzilla remake.'' (Houston Chronicle)
''Must be the worst major release in what may be the most disastrous year in recent Hollywood history.'' (Time)
''Tries to set some kind of record for regurgitating sports movie cliches faster than any film that's run before.'' (LA Daily News)
''Might as well come with a bouncing ball so members of the audience can recite the dialogue along with the actors.'' (New York Times)
''Watchable if you care for loudly fermenting garbage.'' (San Diego Union-Tribune)
''You can't buy Keanu as a sadist, but you do worry about the guys who wrote the screenplay.'' (Globe and Mail)
''Well, everybody knows November means just one thing to most folks: a big, fat turkey.'' (Kalamazoo Gazette)
''It's enough to make you puke.'' (Philadelphia Daily News)
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