''Logic is mocked, plot strands capriciously abandoned. Actors chew upholstery, and the heroine has so many 'Don't open that door, lady!' moments that the movie starts to play like an unintended parody of overblown hokum.'' (San Francisco Chronicle)
''I can't believe that even the most rabid chick-flick masochists wouldn't gag on it.'' (Rolling Stone)
''The last time Bullock and Reeves were together on screen the result was Speed. This should have been entitled Stop.'' (Guardian)
''It's really kind of a dirty scummy piece of work.'' (Richard Roeper)
''A police thriller that's desperate to be gritty...boasts a protagonist so dumb it takes him an hour of screen time to realize a 'plot twist' we assumed was a given.'' (Time Out Chicago)
''Your brain will likely feel sucker-punched by the end of this obtuse ****storm, which falls flat faster than you can say Attack of the Clones.'' (Hollywood.com)
''A lumpy, gaseous treatise of a movie.'' (New York Times)
''Well, everybody knows November means just one thing to most folks: a big, fat turkey.'' (Kalamazoo Gazette)
''It's enough to make you puke.'' (Philadelphia Daily News)
''Even if Reeves could act, his character as written would be flatter than a floppy disk.'' (Washington Post)
''Undramatic and unexciting computer-graphics special effects designed to show what's inside Reeves' head. On the evidence, there isn't much.'' (Variety)
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