''Logic is mocked, plot strands capriciously abandoned. Actors chew upholstery, and the heroine has so many 'Don't open that door, lady!' moments that the movie starts to play like an unintended parody of overblown hokum.'' (San Francisco Chronicle)
''Watchable if you care for loudly fermenting garbage.'' (San Diego Union-Tribune)
''You can't buy Keanu as a sadist, but you do worry about the guys who wrote the screenplay.'' (Globe and Mail)
''Even if Reeves could act, his character as written would be flatter than a floppy disk.'' (Washington Post)
''Undramatic and unexciting computer-graphics special effects designed to show what's inside Reeves' head. On the evidence, there isn't much.'' (Variety)
''Second-hand plot, small-time characters, limited and movieish vision, and bad performances for Reeves and Diaz.'' (Variety)
''It could be taught in film school as an example of what to avoid.'' (E-Film Critic)
''The affair between them is tepid and squeaky-clean; when he's with her, the look on Reeves's face says, 'And you are . . . ?''' (Washington Post)
''Pure yucky mush.'' (Utah Transcript-Bulletin)
''It's really kind of a dirty scummy piece of work.'' (Richard Roeper)
''A police thriller that's desperate to be gritty...boasts a protagonist so dumb it takes him an hour of screen time to realize a 'plot twist' we assumed was a given.'' (Time Out Chicago)
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