| Definition | Term |
|---|
| Style of representation that is conventionally understood to convey an accurate portrayal of people or nature; it’s relative. | |
| The mapping of space via a grid devised by Descartes (French dude) that defines space according to axis. | |
| Belief that true knowledge derives from reason and universal that than subjective experience. | |
| Embracing science between 1600-1800. Think earth vs. sun centric solar system (challenging church with the help of science → experiments with evidence) | |
| 'Veiled chamber”, an optical device that channels light rays through a pin point hoe to create an mage. | |
| Viewer of digital images that also actively interacts with or navigated through the medium. | |
| A mechanically inspired technique to make paintings appear more realistic in their translation of 3D space onto a 2D surface. | |
| Late 18th century philosophical movement that believed human reason and science would end ignorance, bring prosperity, and organize society according to principles of justice. Ende | |
| | Definition | Term |
|---|
| Renewed interest in classical art, literature and philosophy. Era of humanism. Renaissance Man (multi-faceted). Colonialism. | |
| The use of extreme perspective to deform an image that only becomes apparent when viewed in an unconventional manner. | |
| The accepted, dominant mode of gaining and organizing knowledge in a given era. E.g. Egyptians used papyrus for messages. Church decided what was truth (church used as a medium to | |
| Simulations that represent ideal or constructed rather than actual conditions. | |
| Movement at the leading edge of experimentation during the modern era, especially s it concerned challenging tradition and confronting bourgeois attitudes. | |
| Scientific method hat relies upon sensory observation and measurement for knowledge production. | |
| Equal measure, a type of perspective with no vanishing point or depth. | |
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