| Quote | Season | Said By: |
|---|
| 'World goin' one way, people another.' | |
| 'A life Jimmy. You know what that is? It's the s**t that happens to you when you're waiting for moments that never come.' | |
| 'And a VERY good evening to you, Officer Colicchio.' | |
| 'Hey Norman. Know what I had for dinner last night? Tuna sub. I ate in the car.' | |
| 'I got nephews and in-laws f**king all my s**t up all the time and it ain’t like I can pop a cap in their ass and not hear about it Thanksgivin’ time.' | |
| 'You follow drugs, you get drug addicts and drug dealers. But you start to follow the money... and you don't know where the f**k is going to take you. ' | |
| 'This is Baltimore Police Department, not Roland Park Ladies Tea.' | |
| 'That's good. That's like a forty-degree day.' | |
| 'I'm Cedric Daniels. But I mostly go by... lieutenant.' | |
| 'The Bunk is strictly a suit-and-tie motherf**ker' | |
| 'It's Baltimore, gentlemen. The gods will not save you.' | |
| 'Marlo's an ass hole. He doesn't get to win. We get to win.' | |
| 'Yes, hello. This is Ervin Pepper of Pepper, Pepper & Bayleaf. I'm calling in regards to a Sergeant Thomas Hauk...' | |
| 'If it's a lie, then we fight on that lie.' | |
| 'I got the shotgun. You got the briefcase.' | |
| 'I got the shotgun. You got the briefcase.' | |
| 'I got the shotgun. You got the briefcase.' | |
| 'I got the shotgun. You got the briefcase.' | |
| 'You supposed to be the good cop, dumb motherf**ker' | |
| 'You supposed to be the good cop, dumb motherf**ker' | |
| 'You supposed to be the good cop, dumb motherf**ker' | |
| 'You supposed to be the good cop, dumb motherf**ker' | |
| 'World goin' one way, people another.' | |
| 'World goin' one way, people another.' | |
| 'World goin' one way, people another.' | |
| 'World goin' one way, people another.' | |
| 'You can't even think of calling this s**t a war. Wars end.' | |
| 'You can't even think of calling this s**t a war. Wars end.' | |
| 'You can't even think of calling this s**t a war. Wars end.' | |
| 'You can't even think of calling this s**t a war. Wars end.' | |
| 'Do I look like George Washington Carver?' | |
| 'Do I look like George Washington Carver?' | |
| 'Do I look like George Washington Carver?' | |
| 'Do I look like George Washington Carver?' | |
| 'The Bunk is strictly a suit-and-tie motherf**ker' | |
| 'The Bunk is strictly a suit-and-tie motherf**ker' | |
| 'The Bunk is strictly a suit-and-tie motherf**ker' | |
| 'The Bunk is strictly a suit-and-tie motherf**ker' | |
| 'Marlo's an ass hole. He doesn't get to win. We get to win.' | |
| 'Marlo's an ass hole. He doesn't get to win. We get to win.' | |
| 'Marlo's an ass hole. He doesn't get to win. We get to win.' | |
| 'Marlo's an ass hole. He doesn't get to win. We get to win.' | |
| 'Man, money ain't got no owners. Only spenders.' | |
| 'Man, money ain't got no owners. Only spenders.' | |
| 'Man, money ain't got no owners. Only spenders.' | |
| 'Man, money ain't got no owners. Only spenders.' | |
| 'A life Jimmy. You know what that is? It's the s**t that happens to you when you're waiting for moments that never come.' | |
| 'A life Jimmy. You know what that is? It's the s**t that happens to you when you're waiting for moments that never come.' | |
| 'A life Jimmy. You know what that is? It's the s**t that happens to you when you're waiting for moments that never come.' | |
| 'A life Jimmy. You know what that is? It's the s**t that happens to you when you're waiting for moments that never come.' | |
| 'It's Baltimore, gentlemen. The gods will not save you.' | |
| 'It's Baltimore, gentlemen. The gods will not save you.' | |
| 'It's Baltimore, gentlemen. The gods will not save you.' | |
| 'It's Baltimore, gentlemen. The gods will not save you.' | |
| 'That's good. That's like a forty-degree day.' | |
| 'That's good. That's like a forty-degree day.' | |
| 'That's good. That's like a forty-degree day.' | |
| 'That's good. That's like a forty-degree day.' | |
| 'Thin line 'tween heaven and here.' | |
| 'Thin line 'tween heaven and here.' | |
| 'Thin line 'tween heaven and here.' | |
| 'Thin line 'tween heaven and here.' | |
| 'I got nephews and in-laws f**king all my s**t up all the time and it ain’t like I can pop a cap in their ass and not hear about it Thanksgivin’ time.' | |
| 'I got nephews and in-laws f**king all my s**t up all the time and it ain’t like I can pop a cap in their ass and not hear about it Thanksgivin’ time.' | |
| 'I got nephews and in-laws f**king all my s**t up all the time and it ain’t like I can pop a cap in their ass and not hear about it Thanksgivin’ time.' | |
| 'I got nephews and in-laws f**king all my s**t up all the time and it ain’t like I can pop a cap in their ass and not hear about it Thanksgivin’ time.' | |
| 'This is Baltimore Police Department, not Roland Park Ladies Tea.' | |
| 'This is Baltimore Police Department, not Roland Park Ladies Tea.' | |
| 'This is Baltimore Police Department, not Roland Park Ladies Tea.' | |
| 'This is Baltimore Police Department, not Roland Park Ladies Tea.' | |
| 'No one wins. One side just loses more slowly.' | |
| 'No one wins. One side just loses more slowly.' | |
| 'No one wins. One side just loses more slowly.' | |
| 'No one wins. One side just loses more slowly.' | |
| 'Crawl. Walk. And then run.' | |
| 'Crawl. Walk. And then run.' | |
| 'Crawl. Walk. And then run.' | |
| 'Crawl. Walk. And then run.' | |
| 'If you have a problem with this, I understand completely, and urge you to get as far away from me as you can.' | |
| 'If you have a problem with this, I understand completely, and urge you to get as far away from me as you can.' | |
| 'If you have a problem with this, I understand completely, and urge you to get as far away from me as you can.' | |
| 'If you have a problem with this, I understand completely, and urge you to get as far away from me as you can.' | |
| 'For real, it's 85 f**kin' degrees out here and you tryin' to be like Pat Riley.' | |
| 'For real, it's 85 f**kin' degrees out here and you tryin' to be like Pat Riley.' | |
| 'For real, it's 85 f**kin' degrees out here and you tryin' to be like Pat Riley.' | |
| 'For real, it's 85 f**kin' degrees out here and you tryin' to be like Pat Riley.' | |
| 'You follow drugs, you get drug addicts and drug dealers. But you start to follow the money... and you don't know where the f**k is going to take you. ' | |
| 'You follow drugs, you get drug addicts and drug dealers. But you start to follow the money... and you don't know where the f**k is going to take you. ' | |
| 'You follow drugs, you get drug addicts and drug dealers. But you start to follow the money... and you don't know where the f**k is going to take you. ' | |
| 'You follow drugs, you get drug addicts and drug dealers. But you start to follow the money... and you don't know where the f**k is going to take you. ' | |
| 'He f**ked with my fish though A. Man, I don't... He ain't have to go there, man.' | |
| 'He f**ked with my fish though A. Man, I don't... He ain't have to go there, man.' | |
| 'He f**ked with my fish though A. Man, I don't... He ain't have to go there, man.' | |
| 'He f**ked with my fish though A. Man, I don't... He ain't have to go there, man.' | |
| 'If it's a lie, then we fight on that lie.' | |
| 'If it's a lie, then we fight on that lie.' | |
| 'If it's a lie, then we fight on that lie.' | |
| 'If it's a lie, then we fight on that lie.' | |
| 'I want to go to jail for snatching something better than Marlo Stanfield's f**king lunch order.' | |
| 'I want to go to jail for snatching something better than Marlo Stanfield's f**king lunch order.' | |
| 'I want to go to jail for snatching something better than Marlo Stanfield's f**king lunch order.' | |
| 'I want to go to jail for snatching something better than Marlo Stanfield's f**king lunch order.' | |
| 'Nice dolphin, nigga.' | |
| 'Nice dolphin, nigga.' | |
| 'Nice dolphin, nigga.' | |
| 'Nice dolphin, nigga.' | |
| 'Yes, hello. This is Ervin Pepper of Pepper, Pepper & Bayleaf. I'm calling in regards to a Sergeant Thomas Hauk...' | |
| 'Yes, hello. This is Ervin Pepper of Pepper, Pepper & Bayleaf. I'm calling in regards to a Sergeant Thomas Hauk...' | |
| 'Yes, hello. This is Ervin Pepper of Pepper, Pepper & Bayleaf. I'm calling in regards to a Sergeant Thomas Hauk...' | |
| 'Yes, hello. This is Ervin Pepper of Pepper, Pepper & Bayleaf. I'm calling in regards to a Sergeant Thomas Hauk...' | |
| 'If I hear the music, I'm gonna dance.' | |
| 'If I hear the music, I'm gonna dance.' | |
| 'If I hear the music, I'm gonna dance.' | |
| 'If I hear the music, I'm gonna dance.' | |
| 'And a VERY good evening to you, Officer Colicchio.' | |
| 'And a VERY good evening to you, Officer Colicchio.' | |
| 'And a VERY good evening to you, Officer Colicchio.' | |
| 'And a VERY good evening to you, Officer Colicchio.' | |
| 'I'm Cedric Daniels. But I mostly go by... lieutenant.' | |
| 'I'm Cedric Daniels. But I mostly go by... lieutenant.' | |
| 'I'm Cedric Daniels. But I mostly go by... lieutenant.' | |
| 'I'm Cedric Daniels. But I mostly go by... lieutenant.' | |
| 'Hey Norman. Know what I had for dinner last night? Tuna sub. I ate in the car.' | |
| 'Hey Norman. Know what I had for dinner last night? Tuna sub. I ate in the car.' | |
| 'Hey Norman. Know what I had for dinner last night? Tuna sub. I ate in the car.' | |
| 'Hey Norman. Know what I had for dinner last night? Tuna sub. I ate in the car.' | |
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