Mini-Screenplays (challenging)

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Can you name the films from these excerpts of their screenplays?

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'Excerpt'Title
EXT. FRONT OF BANK -- NIGHT || With the TELLERS forming a human circle around them, SONNY and SAL slowly walk to the bus.
EXT. FIELD -- DAY || VIZZINI: Let me put it this way: have you ever heard of Plato, Aristotle, Socrates? MAN IN BLACK: Yes. VIZZINI: Morons.
INT. HOLD || KANE: The place is full of leathery things sealed...soft to the touch.
EXT. LOS OLIVOS -- NIGHT || MILES (dead serious): If anyone orders Merlot, I'm leaving. I am not drinking any f---ing Merlot!
INT. APARTMENT || MOLLY stands there dumbfounded. Her face is completely white. After a moment she reaches for the penny. It falls into her hand. There are tears in her eyes.
EXT. ROAD -- DAY || CAPTAIN (to the men): What we got here is a failure to communicate.
INT. KITCHEN -- NIGHT || CASEY: Why do you want to know my name? MAN'S VOICE (from phone): Because I want to know who I'm looking at.
EXT. ROAD -- DAY || MR. EDDY, red-faced with anger, leans close to the DRIVER. MR. EDDY: Don't you *ever* f---ing tailgate!!!
'Excerpt'Title
INT. DEN -- NIGHT || WILDMAN: You're a two bit pirate and a green-mailer, nothing more... not only would you sell your mother to make a deal, you'd send her COD.
EXT. ROAD -- NIGHT || The car approaches, slowing. CARL, with the trooper's body hoisted halfway up, is frozen in the headlights.
INT. SUB BAY || Like a blindly probing glass python, it elongates and weaves across the room. It extends and extends, stretching out from the moonpool, a shimmering tentacle.
EXT. DRIVEWAY -- NIGHT || TODD: Whose Corvette is that? REED: Dirk's. TODD: That car is jammin' - nosed, racked, dual cams, 10 coats of hand gloss, candy apple red laquer - Whoa.
EXT. TERRACE -- NIGHT || TOM: Yes, Aaron. I know the names of the Cabinet. AARON: Okay. (A beat.) AARON (cont'd): All twelve? TOM: Yes. AARON: There are only ten.
INT. LOFT -- NIGHT || VERONICA: Be afraid. Be very afraid.
INT. BAR -- DAY || SONNY calmly locks the front door. SONNY (turning around): Now youse can't leave.

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