| Hint | Composer |
| He composed a grand opera about a Biblical tale found in Chapter 16 of the Book of Judges, including one of the most popular recital pieces in the mezzo-soprano/contralto repertoir | |
| His most famous opera is about Lakmé, the daughter of a Brahmin priest, capt. the Oriental ambiance that was in vogue in French opera during the latter part of the 19th century. | |
| At the time of its premiere, the controversial plot of his opera based on a novella by Prosper Mérimée scandalised both critics and the public. | |
| This Russian completed only one opera, but it proved to be inspiration for generations of Russian composers on account of its uniquely nationalist character. | |
| His fame as an opera composer mainly rests on two operas that are based on works by Pushkin. | |
| His most famous opera is about a water sprite of Slavic mythology. | |
| Arguably the most representative French opera composer of the Belle Époque, best known for two operas based on works by Abbé Prévost and Johann Wolfgang von Goethe. | |
| This Russian composer wrote colourful operas on legendary and historical subjects. | |
| His first mature opera which was premiered in 1904 in Brno incorporates his studies of national folk music in a modern, highly original synthesis. | |
| This Neapolitan is famous for a masterpiece of verismo. | |
| The only true successor to Giuseppe Verdi in Italian opera, he composed numerous masterpieces with several famous arias that have also become part of popular culture. | |
| This Frenchman composed only one opera, a key work in 20th century music drama, based on a work by the symbolist Maeterlinck. | |
| His 1890 masterpiece caused one of the greatest sensations in opera history and single-handedly ushered in the Verismo movement in Italian dramatic music. | |
| One of few opera composers to accept the challenge laid down by the radical nature of Wagner's innovative works. He often worked together with Hugo von Hofmannsthal. | |
| A follower of Wagner, he is best known for the opera Palestrina which explores the debate between tradition and innovation in music. | |
| A leading Modernist composer and the deviser of the twelve-tone system, he began his operatic career with the Expressionist monodrama Erwartung. | |
| He wrote two short, but innovative, operas: L'enfant et les sortilèges, set in the world of childhood, and the Spanish-flavoured L'heure espagnole. | |
| One of his best known works is based loosely on paintings by William Hogarth. | |
| The works of this Austrian are characterised by their atonal music which uses tonal conventions harkening back to late romanticism and tragic libretti. | |
| His only opera is loosely based on a folktale of a serial killer. | |
| A major modern composer in the Russian tradition, he produced operas on a wide variety of subjects, from a comic fairy-tale to a dark and occult piece and and epic war piece. | |
| His key opera, dealing with the problems of an artist in a time of crisis, has been seen as an allegory of his situation during the Third Reich. | |
| He became famous with an American folk opera about a disabled black beggar living in the slums of Charleston, South Carolina. | |
| His most famous opera, Lady Macbeth of the Mtsensk District, a violent love story set in provincial Russia, scandalised Soviet authorities. | |
| This British composed operas based on works by Henry James, Thomas Mann and Herman Melville. | |