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Goya creates Disasters of War to protest Napoleon
Thomas Cole, Oxbow, American landscapes
Doris Salcedo at the Tate
Daguerre
Paik and Bill Viola, Electronic Super Highway
Hokusai
Pontormo, twisted, ambiguous space
La Vau and Mansart, Versailles, divine right of kings
Velazquez and Las Meninas, Casta paintings
Rubens' rosy portraits
Jan van Eyck and Campin, oil, altarpieces
Giotto experiments, transitions
Raphael and Michelangelo, perfect perspective
Botticelli and Donatello, Humanism
Vermeer and Rembrandt, wealthy merchants
Monet paints light and color, Cassatt
Millet and Courbet, make the mundane heroic
David and Houdon, look back to Greece Rome
Turner and The Slave Ship
Gentileshci, Caravaggio and Bernini, theatrical churches
Delacroix, Gericault, political, dark, hot-button issues
Titian and Venus of Urbino
flying buttresses, stained glass, Chartres
Round arches, small windows, pilgrimages
Cezanne wants to make Impressionism permanent
Klimt mixed art nouveau and Byzantine
Picasso and Braque break it down into flat fields
Matisse, Kandinsky, color is king
Duchamp's Fountain, absurdism
Mondrian utopian views
Stepanova's collages, 5 year plan
Rivera's inclusive view of history
Oppenhiem's Object, weird, dreamlike
Van der Rohe's less is more
Venturi's less is a bore, Gehry
Wright's Falling Water
De Kooning, gesturalism, NY school
Frankenthaler's Bay
Warhol's Marilyn
Smithson's Spiral Jetty
Kusama's Narcissus Garden
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