|Script opening||Movie Title|
|EXT. McFLY HOME AND STREET, DAY |
The modified DeLorean backs out of the driveway. Doc Brown is at the wheel, dressed in bizarre future garb.
|EXT. A SENTRY TOWER |
Standing the post is the silhouette of A MARINE. He's holding a rifle and staring straight out. A drum cadence has been building slightly.
|EXT. STREET - DAY |
A UPS Man with a pot belly is walking down the street, whistling and carelessly tossing a package in the air. We hear the sound of broken glass in the box.
|MAN'S VOICE (on comm) |
Flight. We have the crew crossing gantry for capsule ingress. 2ND MAN'S VOICE (on comm) - Roger that. WALTER CRONKITE (voice over)
|WE ARE FLOATING UP A STEEP SCRUBBY SLOPE |
We hear male voices singing 'Tumbling Tumbleweeds' and a deep, affable, Western-accented voice--Sam Elliot's, perhaps: VOICE-OVER
|EXT. HADES - DUSK |
We are MOVING TOWARD the Tyrell Corporation across a vast plain of industrialization, menacing shapes on the horizon, stacks belching flames.
|EXT. HOT TRAXX NIGHTCLUB - NIGHT |
CAMERA holds on this PACKED disco on Van Nuys Blvd. TITLE CARD: 'San Fernando Valley, 1977' A CADILLAC SEVILLE pulls up to the valet area.
|FADE IN: |
A globe turns into a flat map of Europe. Superimposed over this map are scenes of refugees fleeing and converging on one point on the tip of Africa.
|EXT. KIDNET STUDIO -C - EVENING |
A man in a puffy foam-rubber rhinoceros costume dancing under the bright friendly lights of a television studio.
|FADE IN MONTAGE OF PHOTOS |
(V.O.) RAY My father’s name was John Kinsella. A faded, sepia shot of a dirty little kid on a farm.
|INT. CHICAGO THEATER: |
10/15/58 The Radio and TV News Dir. Annual Meeting. We're in the wings of the theater. Standing there is Edward R. Murrow. He looks ill at ease.
|Script opening||Movie Title|
|INT. DARK ROOM - NIGHT TIME |
An old man lights a gas oven with a match, he is preparing food. He notices a light on in the large house opposite, he stops what he's doing.
|FADE IN: INT. 'THE DRAGON' NIGHTCLUB - NIGHT |
A GONG SOUNDS and the glittering doors of an art Deco pagoda slide open to reveal a mammoth silver stairway and dancing girls.
|EXT. RIVER ANDUIN - DAY |
ANGLE ON: SMEAGOL and his cousin, DEAGOL, sit in a SMALL CORACLE, their FISHING LINES draped over the side... SUNSHINE glinting off the surface.
|INT. HARVEY'S KITCHEN - NIGHT - 1978 |
Close on a finger pressing a 'record' button. (V.O.) This is to be played only in the event of my death by assassination...
|EXTERIOR - CASTLE WALLS - DAY |
Mist. We hear hoofbeats. Then out of the mist comes KING ARTHUR followed by a SERVANT who is banging two half coconuts together.
|Ext. SUBURBAN CAR DEALERSHIP |
A 1977 sedan with serious damage pulls up. CLARK W. GRISWOLD and his 12 year-old son RUSTY get out.
|INT. REPUBLIC CRUISER - COCKPIT |
In the cockpit of the cruiser, the CAPTAIN and PILOT maneuver closer to one of the battleships. QUI-GON : (off screen voice) Captain.
|INT. HALLWAY |
CLOSE-UP of little old lady. She blows a kiss and waves GOOD-BYE. CUT TO CLOSE-UP OF MAX BIALYSTOCK. He waves back.
|TRAIN WHEELS grinding against track. |
The LEVER of a train door being pulled. NAMES on lists on clipboards held by clerks. CLERKS (V.O.) Rossen... Lieberman... Wachsberg
|FADE IN: INT. RESTAURANT - MORNING |
LOUISE is a waitress in a coffee shop. She is in her early-thirties, but too old to be doing this. She is pretty and meticulously groomed.
|EXT. PLANET’S SURFACE - CONTINUOUS |
A range of mountains takes form in the haze. Moving closer. The mountains are piles of TRASH. The entire surface is nothing but waste.