EXT. McFLY HOME AND STREET, DAY The modified DeLorean backs out of the driveway. Doc Brown is at the wheel, dressed in bizarre future garb.
EXT. A SENTRY TOWER Standing the post is the silhouette of A MARINE. He's holding a rifle and staring straight out. A drum cadence has been building slightly.
EXT. STREET - DAY A UPS Man with a pot belly is walking down the street, whistling and carelessly tossing a package in the air. We hear the sound of broken glass in the box.
MAN'S VOICE (on comm) Flight. We have the crew crossing gantry for capsule ingress. 2ND MAN'S VOICE (on comm) - Roger that. WALTER CRONKITE (voice over)
WE ARE FLOATING UP A STEEP SCRUBBY SLOPE We hear male voices singing 'Tumbling Tumbleweeds' and a deep, affable, Western-accented voice--Sam Elliot's, perhaps: VOICE-OVER
EXT. HADES - DUSK We are MOVING TOWARD the Tyrell Corporation across a vast plain of industrialization, menacing shapes on the horizon, stacks belching flames.
EXT. HOT TRAXX NIGHTCLUB - NIGHT CAMERA holds on this PACKED disco on Van Nuys Blvd. TITLE CARD: 'San Fernando Valley, 1977' A CADILLAC SEVILLE pulls up to the valet area.
FADE IN: A globe turns into a flat map of Europe. Superimposed over this map are scenes of refugees fleeing and converging on one point on the tip of Africa.
EXT. KIDNET STUDIO -C - EVENING A man in a puffy foam-rubber rhinoceros costume dancing under the bright friendly lights of a television studio.
FADE IN MONTAGE OF PHOTOS (V.O.) RAY My father’s name was John Kinsella. A faded, sepia shot of a dirty little kid on a farm.
INT. CHICAGO THEATER: 10/15/58 The Radio and TV News Dir. Annual Meeting. We're in the wings of the theater. Standing there is Edward R. Murrow. He looks ill at ease.
Script opening
Movie Title
INT. DARK ROOM - NIGHT TIME An old man lights a gas oven with a match, he is preparing food. He notices a light on in the large house opposite, he stops what he's doing.
FADE IN: INT. 'THE DRAGON' NIGHTCLUB - NIGHT A GONG SOUNDS and the glittering doors of an art Deco pagoda slide open to reveal a mammoth silver stairway and dancing girls.
EXT. RIVER ANDUIN - DAY ANGLE ON: SMEAGOL and his cousin, DEAGOL, sit in a SMALL CORACLE, their FISHING LINES draped over the side... SUNSHINE glinting off the surface.
INT. HARVEY'S KITCHEN - NIGHT - 1978 Close on a finger pressing a 'record' button. (V.O.) This is to be played only in the event of my death by assassination...
EXTERIOR - CASTLE WALLS - DAY Mist. We hear hoofbeats. Then out of the mist comes KING ARTHUR followed by a SERVANT who is banging two half coconuts together.
Ext. SUBURBAN CAR DEALERSHIP A 1977 sedan with serious damage pulls up. CLARK W. GRISWOLD and his 12 year-old son RUSTY get out.
INT. REPUBLIC CRUISER - COCKPIT In the cockpit of the cruiser, the CAPTAIN and PILOT maneuver closer to one of the battleships. QUI-GON : (off screen voice) Captain.
INT. HALLWAY CLOSE-UP of little old lady. She blows a kiss and waves GOOD-BYE. CUT TO CLOSE-UP OF MAX BIALYSTOCK. He waves back.
TRAIN WHEELS grinding against track. The LEVER of a train door being pulled. NAMES on lists on clipboards held by clerks. CLERKS (V.O.) Rossen... Lieberman... Wachsberg
FADE IN: INT. RESTAURANT - MORNING LOUISE is a waitress in a coffee shop. She is in her early-thirties, but too old to be doing this. She is pretty and meticulously groomed.
EXT. PLANET’S SURFACE - CONTINUOUS A range of mountains takes form in the haze. Moving closer. The mountains are piles of TRASH. The entire surface is nothing but waste.
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***Opening scenes are as described in scripts- major modifications may have been made during production or editing!***
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