| Hint | Critic |
| He defined the 'object correlative' in 'Hamlet in His Problems,' wrote about the 'mind of Europe' in 'Tradition and the Individual Talent', both from his collection The Sacred Wood | |
| He mimicked the structure of Ovid for his work L'Art Poetique, and also wrote Le Lutrin. | |
| He called 'succession in time' the 'province of the poet' in his monumental work of criticism, Laocoon. | |
| He is probably best known for his work in analyzing interpretive communities, although he has written such works as Self-Consuming Artifacts and Is There a Book in This Class? | |
| This critic has written works like Wallace Stevens, The Western Canon, and The Anxiety of Influence. | |
| He chronicled the rise of Socialism in To the Finland Station and studied Symbolism in the critical work Axel's Castle | |
| He discussed Balzac's Sarrasine in S/Z, and also wrote The Death of the Author. | |
| He studied the rise of literary criticism in Literary Theory: an Introduction and heavily criticized Dawkins' The God Delusion. | |
| He described 'verbal nuances' in The Seven Types of Ambiguity. | |
| He analyzed Blake in Fearful Symmetry before discussing an 'interconnected group of suggestions' in Anatomy of Criticism. | |