| Mise en scène | Les choses |
|---|
| Amélie est très mignonne with this fruit on her fingers in the opening | |
| Amélie's childhood goldfish Blubber has this unusual tendency: | |
| The name of the café in which Amélie works as a waitress | |
| The neighborhood of Paris with the café and Sacré-Cœur | |
| Any of the small pleasures in which Amélie delights (particularly named during the narrator's introduction) | |
| What significant historical death (1997) helps trigger Amélie's do-good crusades? | |
| Recall one of the treasures she discovers in the tin box belonging to Bretodeau | |
| Amélie's neighbor Dufayel paints and repaints 'Luncheon of the Boating Party' by what impressionist artist? | |
| | Mise en scène | Les choses |
|---|
| Name either the neighborhood grocer who picks on his assistant, or the assistant | |
| Another do-good task: what beloved item does she 'borrow' from her father and send around the world with polaroids as proof? | |
| Amélie's love interest who shares his name with a climate pattern and collects discarded photo booth strips | |
| The above-named fellow holds at least three jobs, name any one of his workplaces | |
| In his photo album, there is a mystery man who keeps appearing. What does Amélie learn he does for a living? | |
| Any of Amélie's coworkers: hypochondriacal tobacconist, café owner & former circus performer, waitress/healer | |
| The film's director. He made 'Delicatessen' and 'A Very Long Engagement' too. | |
| Our lovely lead actress | |
|
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