Hitchcock Cameos

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Can you name the cameos by Alfred Hitchcock in his films based upon the description?

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Wearing a large cowboy hat on the sidewalk outside a Phoenix real estate office.
Watching an arrest take place below as part of a crowd at an upper railing, while an angry crowd attempts to beat up the title character.
Being pushed in a wheelchair at LaGuardia Airport, then standing up and greeting a man.
Not a traditional cameo; introducing the film before the opening credits while strongly backlit.
Walking past a phone booth where a gentleman makes a call to the main characters' housekeeper.
In silhouette behind a frosted door labeled 'Registrar of Births and Deaths.'
Looking down reading a newspaper and walking past the hero as he leaves his London hotel.
Leaving a San Francisco pet shop walking his two pet dogs.
In the Sydney town square during a parade, donned in blue coat and brown hat.
During a tennis court sequence, leaving through a side gate carrying a walking stick.
Walking past one of the title characters in front of the building where he lives with the other title character.
Walking by, then turning back to give a prolonged look at an aspiring young actress disguised as an older actress' maid.
In a crowd listening to a political speech, wearing a black bowler hat.
At the close of the opening credits, strolling in silhouette at the top of a long flight of stairs in Quebec.
Walking in the distance by a parked limousine while an old man looks at an outdoor art exhibition.
Playing a card game on a train to Santa Rosa with a hand full of spades.
Sitting in the rear of the bus next to a cat burglar, staring straight ahead.
Sitting in a Copenhagen hotel with a baby in his lap, with the music briefly changing to 'Funeral March of the Marionette.'
Walking on the platform at Victoria Station in London as the lead couple returns to the city, smoking a cigarette.
Sitting on a London subway train behind the lead characters, engaging in a stare-down with a young boy who is pestering him.
Outside a courthouse posing as a photographer holding a camera, while a prisoner makes his escape.
Emerging from a hotel room and looking at the camera as the title character, wearing a black wig, leaves the hotel.
Passing a San Francisco shipyard office carrying a horn case.
While the hero escapes from a music theater, walking by and tossing some litter in front of a bus.
In a black-tie class reunion photo, looking back at the camera.
Awkwardly boarding a train while carrying a double bass.
At the end of the opening credits, running to catch a New York City bus but arriving just as the doors close.
As a party guest at an ex-Nazi's mansion, sipping a glass of champagne.
Walking with a woman past the boarding house where the title misdeed took place.
At a newsstand outside a Cut Rate Drugs store in New York City.
Shortly before a murder, watching acrobatics at a Marrakech outdoor market.
Leaving an elevator at the Empire State Hotel, carrying a violin case and smoking a cigarette.
Winding a clock in the songwriter's apartment across the courtyard.
In a newspaper ad for Reduco Obesity Slayer.
Mailing a letter at a village mailbox as the heroine meets a friend in town.
In trademark sideview caricature as part of a neon sign flashing briefly outside an apartment window.
Deboarding a train at a station in England, carrying a cello case.

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