| Hints | Answers |
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| This technique allows you to change the shape of the frame with and object such as head and shoulder | |
| This is a moving camera shot that has no actualy movement of the camera itself. It involved sudden magnification of the subject | |
| A point of view shot from a neutral observer, not a character in the film | |
| This moving camera shot is a horizontal scan with a stationary axiz point. often follows a character. | |
| A camera angle that can reduce the importance of the subject and makes them seem harmless/insignificant | |
| In 3-point lighting, this is the main source of light (usually at a 45 degree angle) | |
| This is the first thing your eye goes to based on the light, movement and color of the subjects | |
| A type of film lighting that has little contrast and can imply cheerfulness. Its often used in comedies and musicals | |
| A type of shot that is most effective in epic films. Gives you a large scope on the location of the movie. | |
| These shots are filmed to match up to the first shot filmed | |
| This is when the audience has been given enough time to assimilate the information on the screen. A general principle is to edit at the peak of this term | |
| When formatting a film, this technique shrinks the frame to fit the new screen and puts a box at the top and the bottom of the screen | |
| This is a circular masking device | |
| this type of filming technique is defined by the amount of subject matter within frame | |
| A combination of objective and subjective shots | |
| A type of shot in which everything is in focus | |
| This is the first shot filmed in a scene and includes the entire scene, beginning to end | |
| This is a frame or harness that a camerman wears with the camera in order to keep it steady | |
| A point of view shot from the perspective of a character within a movie. | |
| Relating to the intrinsic meanings of movement, what camera movement relates to grief, death, insignificance, or weakness | |
| This type of mechanical distortion (ex: slow motion, fast motion, ect) is used in the matrix | |
| A camera angle that creates a sense of power and authority on a subject. | |
| A type of shot that has an audience/stage relationship. it shows the relationship among characters and enviorment | |
| A type of film that corresponds with avant-garde films | |
| a camera angle that is directly overhead of the suject | |
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